I worked as an interior designer, but felt my work lacked relevance. My mother pointed me to the Classical Academy in Groningen. There, I quickly discovered that painting suited me and the direction I wanted to take. At the Academy of Art in Florence, I specialized in oil painting. I came into contact with the Martini Church, which was creating a quiet space. I told them I wanted to create a canvas for it, adding that it would be a large painting. And that's how I discovered that working on a large scale was ideal for me. Suddenly, I clicked with painting, and I had the space.
The painting was well received, and so I was commissioned to create a seven-part work about the works of mercy. I once saw a documentary about Butoh dance, and it inspired me—its timeless feel, just bodies and canvases. I really wanted to create paintings that wouldn't be seen as representing a specific period in the future.I am familiar with all models.. I took hundreds of photos of them in the church—where I also painted all the canvases—and then got to work. The unveiling last year was a wonderful moment, and along with my selection as Talent of the Year 2025, it really kick-started my career. I'm currently receiving many private commissions and preparing an exhibition in Harderwijk."
🏛️ This exhibition at Stadsmuseum Harderwijk is currently running and will be on view until September 21, 2025. On August 1 and 14, the museum is organizing a meet & greet with Egbert Modderman, and guided tours of the exhibition will be available on various other dates. For more information, visit 👉 Activiteiten - Stadsmuseum Harderwijk
⛪ The works in the Martinikerk can be viewed on days when the church is open to tourists. More information can be found via 👉 Toeristische openstelling - Martinikerk
This article previously appeared in KUNST. magazine #3 (p. 34)
✍️ Marc Knip
📸 Jedidja Smalbil